I attend a lot of arts events: classical music concerts in
New Haven, Hartford and New York; theatre and dance productions in New York;
opera at the Met and the Met in HD here at Yale. I don’t go to movies much anymore
because of the incivility of the experience, but now and then I see something
on the big screen.
Going to all of these events has one thing in common: I
always arrive on time. I do not arrive late, ever. Is that an exaggeration?
Probably. There has likely been a concert or two that had already started
before I arrived, but I honestly cannot remember such a thing. And certainly I
have never arrived late for a Broadway show, or any theatre event.
And what’s my reward for always being on time? I wait for
the latecomers! You all know this: NOTHING starts on time anymore. Broadway
curtains are almost always held ten minutes; at the Met it’s five; concerts often start 15 minutes late, sometimes much later.
Why is that? Most of us are in our seats on time. We made
the effort; we left a little wiggle room for traffic or trouble finding a
parking space or mass transit delays. 90% of us are here. Why do the 10% get
all the power? Why are WE kept waiting because THEY are late? Venues everywhere
say something like “Latecomers will be seated at an appropriate break in the
performance,” but they don’t mean it. Latecomers are seated for ten minutes
while we who did the right thing wait for them.
FTS!
I’m reminded of this because my local public radio station
just ended its four-week long Fall fund-raising drive. OK, it wasn't four weeks
long – it just seemed like it.
I hate fund drives. We all do. The radio and TV stations hate
doing them. But I hate them particularly because every three months an automatic
charge hits my credit card for $91.25, money that goes to WSHU, my local NPR
affiliate. I give them $365 a year and I am happy to do it. But I have to sit
through hour upon hour of fund-raising just like those in their audience
who are too damn stingy to pitch in.
There’s currently nothing that can be done. I hope that
someday WSHU can broadcast two streams: one that’s free and one that unlocks
with a code. Folks who have donated can listen to the drive-free stream while
the rest of the audience suffers through the badgering.
But I’ll likely be dead before that happens.
Theatres though could make the change. Years ago the Equity
theatre in the Virginia Museum of Fine Arts did it. For an entire season they
put an announcement in every program that the following year they would start
their shows on time. “Be in your seat or wait outside” was the message, over
and over. And the next year, they did it. Shows started on time; latecomers
fumed – but they learned.
People can be trained.
Or, sadly, I should probably say it USED TO BE true that people
could be trained. That experience in Richmond was about thirty years ago. There’s
way too much evidence these days that bad behavior is on the rise and cannot be
lessened.
Ah, the good old, on-time, days when 8 o’clock meant 8
o’clock.
Credit artistic director Tom Markus and managing director Baylor Landrum for that experiment in starting on time at VMT back in the very late 70s and early 80s. Both of them were consummate professionals and felt very much like you do about starting times. Some of the museum's old guard were miffed, but they got over it, and most theatergoers were grateful for what Tom and Baylor did.
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